(cl​)​Assical Musik: Premieres Anno Domini Two Thousand and Fifteen Unto Thee Year of Two Thousand and Eighteen

by Tom Weeks

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This digital package represents the (more or less) fully notated "concert" music I've managed to actually get performed in the past few years. The recordings are rough and the performers all did a truly exceptional job given limited rehearsal time and economic incentive, but the recordings perhaps do not always represent them at their best, which is entirely my fault. In any case, these pieces, to me, exist in a strange realm where they are represented equally by the printed score as by the audible result. So I'm gonna include those I guess.

Also this is free because it kind of sounds like trash (recording quality-wise, at least).

credits

released April 6, 2019

Black Heart:
Composed 2018. Premiered May 2018 in Barcelona, Spain, by Ricardo Descalzo

Ægishjálmur:
Composed 2016. Premiered November 2016 in Oakland, CA.

Raised by Wolves:
Composed 2017. Premiered November 2017 in Saint Petersburg, Russia, by the MolOt Ensemble.

Fenrir:
Composed 2017. Premiered March 2017 in Oakland, CA by Michelle Lee, Bergrun Snaebjornsdottir, John McCowen, Isaac Otto, Kevin Robinson, Scott Siler, Tim Decillis, Chris Wood, and Tom Weeks.

Gulp:
Composed 2016. 8-channel version premiered October 2016 in Oakland, CA by Tom Weeks.

Two Knives:
Composed 2018. Premiered June 2018 in Basel, Switzerland, by Camille Emaille.

Divination:
Composed 2015. Premiered May 2015 in Brooklyn, NY By Yeonathan Shachar, Sam Day Harmet, and Nicholas Horner.

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Tom Weeks Oakland, California

Tom Weeks is a composer, improviser, and saxophonist from the San Francisco Bay Area, CA. His music is influenced by various African-American musical traditions, the historical avant-garde, and the heavy metal and hardcore traditions; utilizing improvisation, extended techniques, and traditional and experimental notational practices. ... more

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